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It was Anton Corbijn who 'invented' U2’s public image and he is still shaping it. The long way from their first encounter in February 1982 in New Orleans to their April 2004 Lisbon shooting for the most recent U2 album is documented in a wealth of private and so-called official pictures with hand-written annotations by the photographer. Interview between Bono and Anton Corbijn and texts by Bono, Helena Christensen, Bill Clinton, William Gibson, Paul Morley, Salman Rushdie, Michael Stipe, and Wim Wenders. Anton corbijn u2 & i pdf.
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Ampeg bass emulation at its best. Ampeg SVX recreates the sounds, operation and feel of the world's most influential line of bass amplifiers and brings it to your desktop. You'll get the legendary sounds of the SVT-CL, the B-15, the 4Pro and BA500, all in a convenient, lightweight and easy-to-use package. When you think Ampeg, you think huge stadium bass tone, but you also think James Jamerson and that fabulous 'round' bass sound only a B-15 Flip Top can provide, the sounds that define great bass tone. Of earth-shaking, back-breaking, roadie-killing bass gear and compress it into a mere 3-pound delicate instrument that can equally produce such raw power and emotion and you've got the Ampeg SVX suite of Bass Amps and Bass effects. With the SVX package, you get the Ampeg 'Greatest Hits' amps: the earth-shattering sound of Rock & Roll bass of the SVT, the smooth groove making rolls of the B-15, and the scooped edginess of the 4Pro.
All Tube, all legendary, all Ampeg.
Modena, Italy (September 7, 2017) - IK Multimedia is pleased to announce the immediate release of Ampeg SVX 2 for AmpliTube, a new collection that brings some of the most sought-after and iconic bass amplifiers and cabinets from the Ampeg Heritage and Classic series to AmpliTube for Mac and PC. Ampeg SVX 2 for AmpliTube brings more power to bass players and music producers, giving them the opportunity to expand their collection with 2 amplifiers and 2 cabinets from the Ampeg Classic series: the SVT-VR and V-4B amplifiers along with the SVT-810AV and SVT-212AV cabinets. Also included from the Ampeg Heritage series is the highly sought-after B-15N amp and its matching cabinet, the B-15N 115. Ampeg SVX 2 provides the genuine tone, dynamics and feel of these iconic amps thanks to IK's industry-leading modeling technologies. Dynamic Interaction Modeling not only recreates every individual physical component in the amplifier's design, but also the nonlinear behavior between each component and its interaction with other components in the circuit. This provides an unprecedented level of realism, touch and feel for each amp. Ampeg SVX 2 for AmpliTube recreates the sound that defined electric bass in virtual form.
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IK software engineers worked painstakingly with the Ampeg engineering team to ensure that each amplifier and cabinet model has been created with the same attention to detail and authenticity that goes into their physical counterparts. The amplifiers and cabinets available in Ampeg SVX 2 for AmpliTube include: SVT-VR The Ampeg SVT-VR is a vintage reissue of an early 1970's 'Blue-Line' SVT head. The preamp stage, power section, and even rocker switches emulate the exact signal path, tone, and vibe of this original rock 'n' roll workhorse giving all the growl one might ever need. V-4B The Ampeg V-4B 100W all-tube bass amplifier is a remarkable reissue of the legendary 1971 original, delivering the pure tube vintage sound, attitude and unmistakable grind that earned this classic amp a place in bass history. B-15N The Heritage B-15N amplifier features distinct switchable 1964 and 1966 channels with Ampeg's flexible Baxandall type bass and treble EQ controls along with selectable cathode or fixed bias providing the ultimate control over response and tone. The Heritage B-15N meticulously recreates the world's most recorded bass tone. SVT-810AV Powerful, tight and focused bass sound.
This is the classic Ampeg cabinet seen on stages worldwide. The Infinite Baffle design has stayed the same since 1969 and delivers the punchy, round sound that is the hallmark of Ampeg tone.
SVT-212AV The Ampeg SVT-212AV cabinet delivers pure Ampeg tone in a ported cabinet design, featuring 2x12' custom LF drivers and a 1' compression driver, with a 3-way level control, that bridges the gap between fast transient response and a rich, powerful low end. B-15N 115 The perfect companion to the B-15N. This cabinet features a 15' speaker that delivers pure, full-bodied and vintage-sounding tone, reminiscent of the good old '60s, that suits a wide array of musical genres. Plug-in and play out Ampeg SVX 2 for AmpliTube works perfectly with IK's iRig line of mobile digital interfaces, like the iRig HD 2 or the iRig Pro I/O, to record and process bass tones on the go and on stage with the best-sounding virtual amps and effects ever created. Because Ampeg SVX 2 runs from within AmpliTube for Mac/PC, it offers a full-rig signal path ready to use in any production: tuner, pedalboards, amp head preamp, effects loop, power amp, speaker cabs, mics with room effects, and rack effects.
Ik Multimedia Ik Ampeg Svx Software Review
Plus, two complete rigs can be configured and run in stereo. Pricing and Availability Ampeg SVX 2 for AmpliTube is available now for $/€99.99. from the IK Multimedia website, the AmpliTube Custom Shop and participating IK retailers. Ampeg SVX 2 for AmpliTube is also available to currently registered Ampeg SVX users for the upgrade price of $/€49.99. Individual amps are available for $/€34.99 each and cabs for $/€14.99 each via the AmpliTube Custom Shop.
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An in-depth look at Tested reviewed by Howard Worf, for us here at Guitarist Guild. The bottom line (somehow strangely appearing at the top, and first. ) This SVX2 bundle is highly recommended – with no other bass amplification emulators in your Amplitube warehouse you will not find any tone you are looking for missing. I really like these a lot. And if you cannot run to the whole package use Custom Shop to buy the SVT-VR and 8x10 cabinet as individual pieces of gear – you will not be disappointed. New from is this gear package emulating a further clutch of classic Ampeg bass amplification. The new SVX 2 collection of reimagined and re-released amplification from Ampeg comprises the SVT-VR, the V-4B, and the Heritage B-15N heads and the SVT-810 AV, the SVT-212 AV, and the B-15N 115 cabinets – the cabinets being the matched units for the amplifiers in the same order – the B-15N Heritage is in any event a combo with the ‘sewing machine’ flip top head, released in limited edition in 2011 and currently very expensive to acquire, used only.
So these then are the models of the re-released Ampegs, available as a collection for €99.99 or as an upgrade to the original Ampeg collection for €49.99 or as a bundle of the two for €149.99. If you need Amplitube 4 too then the price for the complete package is €199.99 (all plus VAT and at the time of writing). To give an idea of value for money UAD’s emulators retail for $149 for each individual amplifier module. And, of course, the real things are substantially more costly.
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Don’t forget, also, that Amplitube and therefore these modules can be used in live performance. So what is being emulated here? The SVT-VR is the re-released version of the 1970’s Blue Line SVT 300w head, currently retailing for around £1900 or $2200, the V-4B is another 1970’s re- release, this time of the 1971 100w all valve head, around the £1000 mark, and the final model is the very popular 1960s 1x15 combo that has a home in many pro studios and according to Ampeg is the most recorded bass amplifier ever. Quite possibly. To my way of thinking it is the SVT heads that create that distinctive Ampeg growl, but let’s give them a listen. My comparisons are from memory, so how the models give me the impression of the Ampeg sounds rather than a direct comparison as I do not have any physical Ampeg equipment to measure against. Indeed I have never seen nor heard either an original or Heritage B-15N, so rare are such beasts.
My own personal amplification comprises Trace Elliot and Behringer heads with 1x15 home built cabs for live performance and Hartke A100 and Harley Benton HB300B (Thomann’s own brand) combos for practice. I don’t like the Hartke much; I usually let my wife use it for her keyboard and it’s better at that. Although I have been playing for more than 4 decades I have generally avoided valve amplifiers. In my early days I like everyone else owned Marshall and sometimes borrowed Orange valve amps, but I never liked the flat slightly distorted sounds and to be brutally honest they were hopelessly unreliable. For this review I have used my Ibanez SR375 and Hohner B Bass 5 strings and a Hohner B Bass 4 string. All of these have large amounts of maple in their construction giving them a tone which is bright rather than neutral.
I am not using any effects between the guitars and the software. My interface is a Saffire Pro 14. The DAW I am using is Cubase 9 Artist (although, of course does have a stand alone mode), my monitors are a pair of Behringer Truth B2031As and my headphones AKG K240. After such a long preamble the actual ‘how do they sound’ bit is going to be quite short. Let’s do them in reverse order.
1)The Heritage B-15N. Arguably a better amplifier than the originals, as it has both 1964 and 1966 channels and voicing, the latter year’s implementation being somewhat brighter. The tones are smooth, clear and very much full range. Some bass amplifiers are either too bass or too treble orientated with flat tone controls, but not this. It doesn’t really growl until the bass control is almost all the way up on either channel, so an excellent model for a clean uncoloured bass sound. The tone controls are simple in design but beautifully effective in operation giving a really useful range of tonal values. 3)And then there’s the cream of the crop, the SVT -VR paired with the 8x10 cab emulation.
It sounds to my tired old bass player ears the best of the bunch. A wonderful easily controlled growl and huge tonal range. Now we have much more useable flexibility: channel selection, channel one normal bright switch, ultra-hi boost, 3 band bass cut off, ultra-lo boost, bass, treble and mid cut/boost pots, with ultra-lo, ultra-hi with bass and treble pots on channel two. It just sounds very good – how subjective is that?
The next-generation of Ampeg amp modeling for IK Multimedia's AmpliTube. IK was the first to bring the legendary tone of some of the most iconic bass amps and cabinets ever created to the modeling software world with their acclaimed official Ampeg SVX collection. The Ampeg SVX 2 collection brings even more power to the game giving you the opportunity to expand your collection with six additional gear models that raise the bar once again in terms of unprecedented sonic authenticity.
When it comes to an iconic brand like Ampeg to put their mark on the software equivalent of their timeless masterpieces, they could not have gone for anything less than the best in the virtual software world and as they pioneered the bass amplification world they choose IK Multimedia, the true pioneers of amps and effects modeling technology for modern players. Getdataback for ntfs v3.03. Ampeg SVX 2 collection is based on IK’s latest exclusive Dynamic Interaction Modeling™ technology, which uniquely recreates the fine interactions of complete internal circuit stages of the original models, thus reproducing their unmistakable vibe and dynamics down to their finest nuances. SVT-VR - Arena-ready bass powerhouse The Ampeg SVT-VR is a vintage reissue of an early 1970’s “Blue-Line” SVT head.
The preamp stage, power section, and even rocker switches emulate the exact signal path, tone, and vibe of the original rock ’n’ roll workhorse. Authentic from its input jack all the way to its six 6550 output tubes, this is the exact recreation of the 70’s best rock bass amp. Regardless of the genre of music you play, the unmistakable tone of this arena-ready bass monster will give you all the growl you might ever need. It’s no surprise that players like Bootsy Collins, Tony Levin, Chris Squire, Pino Palladino and Bill Laswell, just to name a few, called upon it to deliver their unique sound.
V-4B - An all-tube legend The Ampeg V-4B 100W All-Tube Bass Head is a remarkable reissue of the legendary 1971 original, delivering the pure tube vintage sound, attitude and unmistakable grind that earned this classic amp a place in bass history. HERITAGE B-15N - The world’s most recorded bass tone The Heritage B-15N features distinct switchable 1964 and 1966 channels with Ampeg’s flexible Baxandall type bass and treble EQ controls along with selectable cathode bias (1964) or fixed bias (1966) modes providing the ultimate control over response and tone.
Built to exacting standards, the Heritage B-15N meticulously recreates the world’s most recorded bass tone. SVT-810 AV - Some serious meat in “the fridge” Powerful, tight and focused bass sound.
This is the classic Ampeg stack that you see on stages worldwide. It's everything you love about 'The Fridge' in a vintage-inspired look that is both powerful and timeless.
The SVT-810AV Infinite Baffle™ design has stayed the same since 1969 and delivers that punchy, round sound that defines the iconic Ampeg tone. His Eminence, the SVT-212-AV The Ampeg SVT-212AV bass enclosure delivers pure Ampeg tone in a ported cabinet design that bridges the gap between the fast transient response that cuts through mixes and the rich low end you aim for. The SVT-212AV features 2x12” custom Eminence® LF drivers and a 1” compression driver with a 3-way level control in a rugged cab with classic vintage Ampeg styling.
B-15N 115 - Vintage soul, modern attitude The perfect companion of the B-15N. It features a 15” 300W Eminence® speaker that delivers pure, full-bodied and vintage-sounding tone, reminiscent of the good old ‘60s and that suits most musical genres both in the studio and on stage.